Eterna Bellezza — temporary structure inside Caracalla
Caracalla · Natatio · 2024

Eterna
Bellezza.

Exhibit Design February 2024
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A temporary intervention inside the Natatio of the Baths of Caracalla. A light, dynamic structure built to host a photographic dialogue between Piranesi and Gabriele Basilico — two centuries of Rome, in black and white, observed from the same point of view.

ProjectEterna Bellezza
TypeTemporary exhibit
SiteBaths of Caracalla, Rome
AreaNatatio
DateFebruary 2024
StatusConcept
[ Site ] · 01 · The Natatio
Site · 01

Inside the
ancient pool.

The intervention is set within the natatio — the great open-air pool of the Baths of Caracalla, built between 212 and 217 AD. Eighteen centuries later, its towering brick walls still define the void where the structure now lands: a contemporary insert that does not compete with the ruin, but uses it as the second wall of the exhibition.

Built212–217 AD
FunctionImperial bath
Area usedNatatio · open-air
ApproachNon-invasive
Eterna Bellezza — the structure inside the Natatio

Fig. 01 — Daylight view · the structure between the walls

[ Structure ] · 02 · The Intervention
Eterna Bellezza — interior path

Fig. 02 — Interior path · scaffold and red carpet

Structure · 02

A scaffold
between walls.

The architecture is a light, demountable steel grid — a tubular scaffold lined with white panels that act as exhibition walls. The frame supports two levels of viewing and a continuous bordeaux carpet that cuts diagonally through the volume, guiding visitors from one end to the other.

Nothing touches the ruin. The intervention floats inside it.

SystemTubular steel scaffold
LevelsTwo
SurfaceWhite panels
PathBordeaux carpet
[ Light ] · 03 · Day & Night, in black and white
Eterna Bellezza — black and white study, daylight

By day · structure read as scaffold

Eterna Bellezza — black and white study, night

By night · luminous cubes activate the ruin

Diurnal

By day the structure is a thin geometric mark on the brick — a transparent scaffold that disappears against the monumental scale of the walls. Visitors read both at once: ruin and intervention, side by side.

Nocturnal

At night the structure inverts: large illuminated cubes punctuate the volume, turning the exhibit into a constellation of light that re-inhabits the ancient void. The ruin becomes the backdrop of its own contemporary echo.

[ Dialogue ] · 04 · Piranesi · Basilico
Voice 01 · 18th century

Giovanni Battista
Piranesi.

The monumental engravings of Piranesi captured the grandeur and atmosphere of ancient Rome, fixing its proportions and ruins into a visual canon that still defines how the city is imagined.

Voice 02 · 21st century

Gabriele
Basilico.

Basilico photographed the same monuments through a contemporary sensibility — black-and-white views that read the ruin inside the urban fabric of today, with discipline and quiet respect.

"Two centuries apart, the same eye returns to the same wall."
Eterna Bellezza — project note, 2024